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si001- compilation | 2006

Tracklist:
01 – Space Ship 11 04:03 (Diamond Dip Foundation)
02 - Governance Funk 04:16 (Aux Out)
03 - High Society 08:19 (Cutz & Mouse)
04 - Anobis 05:54 (Painkiller)
05 - A Dor 03:49 (Swimmingpool Prod. feat. Ivan van Boyzz)
06 - SDM 0R43 05:15 (Electriccity)
07 - Aphrodismen 04:31 (Misanthrop)
08 - Rockser 06:00 (H3)
09 - Confused 04:09 (Niño Ganja)
10 - Fish State 05:16 (Ambrella de Marso)
11 - Attention Please 00:12 - / -
12 - Travel 08:19 (Cutz & Mouse)

Mit "Qualität, Intelligenz und guten Manieren" verabschieden sich die, auf der Compilation versammelten Künstler, vor allem von in jüngerer Zeit salonfähig gewordener Travestie, Fuck U All Defätismus und Aggrogebaren der deutschen Clublandschaft. Musik begreift sich hier wieder als Ausdruck von gesteigerter Sensibilität und intelligentem Design, nicht nur als endlos generierte Klangtapete für planlose Alk- und Drogenexzesse.
Auf der Compilation sind zu hören:
- Diamond Dip Foundation mit "Space Ship 11"
- der Augsburger Cellist & Elektronik Aficionado "AUX OUT" mit Governance Funk
- das Münchner Trip Hop Duo "CUTZ & MOUSE" mit "High Society" und der Space Opera "Travel"
- der Münchner D'nB Act "PAINKILLER" mit seinem Gipsy Kings inspirierten Track "Anobis"
- Brazil Phunk von SWIMMINGPOOL PRODUCTIONS (Muc) feat. YVAN VAN BOYZZ (Br)
- der Track "SMD 0R43" von "ELECTRICCITY" der in München lebenden Experimentalelektroniker Max Piesec (Lijubliana) und Zobeir Nawid Afzali (Kabul)
- der Track "Aphrodismen" vom Münchner Rapper "MISANTHROP
- der Dub'n Bass Track "Fish State" von "AMBRELL DE MARSO" aus Moskau (Ru)
- der Elektrotrack "Confused" von Niño Ganja aus Nancy (F)
- und mit dem Track "Rockser" von H3, dem Liveprojekt des Programmierers der PC Trackersoftware BUZZ Light, Bernd Slawik, welcher unter dem Pseudonym "Hotkey" zusammen mit seinem Trackerkollgen "Jawn Dawn" die Münchner Clubs rockt, ist sogar ein echt technoider Retrotrack vertreten.

Life itself has become a show contemplated by an audience. That audience is anyone who has no control over the conditions of his/her own existence. Reality is now merely something we look at and think about, not something we experience. In the real world, what is possible is determined by our resources and the limits of our imaginations, but upon this real world a totally fake world - the Spectacle - has been constructed. It is maintained on a microscopic level by our conversations and relationships; in our simplest everyday dealings we engage in the construction of social illusions. The Spectacle is a constructed reality. It does not satisfy, it cannot satisfy. It offers only the dream of satisfaction.
The basic characteristic of the spectade today is the way it calls attention to its own disintegration.The effect of this is the substitution of images and commodities for "real" experience. People enter into relationships with spectacular production rather than each other. Isolated individuals, united only by a passive contemplation of the spectacle. A manufactured alienation for manufactured personalities that multiplies needs precisely because it can satisfy none of them. Industry creates new needs to stimulate consumption and productivity.

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